| 释义 |
MizoguchiCOCA¹⁸²⁵⁸⁹BNC²³⁶²¹³⁺¹
基本例句
沟口¹⁰⁰
By the time Mizoguchi achieved international acclaim he was approaching the end of a long and productive career he was to die, at the relatively young age of58, in 1956.
当沟口健二赢得国际赞誉之时，他已接近其漫长而高产的职业生涯之终点他于1956年去世，彼时他还相对年轻，只有58岁。 ecocn
All of this brings us back to Mr Mizoguchi in Tokyo.
上述种种都令我们重新想到东京的沟口先生。 tianyablog
Although Mizoguchi remained faithful to the basic elements of this style throughout his career, his aesthetic was modified in the postwar era.
尽管沟口健二贯穿其职业生涯始终，一直坚持忠于这种风格的基本元素，但其美学在战后年代有所变化。 ecocn
By mixing melodrama with social concern, Mizoguchi is able to follow five story strands while maintaining a world view that is consistently critical regardless of the individual outcomes.
通过情景剧与社会问题的结合，沟口将五个不同人物的故事用统一的世界观贯穿在一起。 yeeyan
It is certainly possible to exaggerate Mizoguchi's foreignness.
对沟口健二的异国属性夸大其词是肯定有可能的。 ecocn
Jiuzhaigou Self Tour Mizoguchi recent youth hostels accommodation,5 minutes walk to Mizoguchi.
自游青年旅社是九寨沟沟口最近的住宿，走路到沟口5分钟。 douban
Moreover, they tolerated manufacturing defects that the Japanese partner was unwilling to ignore, explains Osamu Mizoguchi, the former boss.
还有，他们容忍产品瑕疵而日方不肯忽视，前老板沟口北野解释说。 yeeyan
Of course, Mr Mizoguchi is not working directly for the Bush campaign.
当然，沟口先生并不是直接在为布什的竞选效劳。 tianyablog
Produced in a new cultural environment, the period films Mizoguchi directed after the end of the occupation departed from this model.
诞生于新的文化环境之中、由沟口健二在占领期结束后执导的时代剧背离了前一种模式。 ecocn
Second, if you run into Mr Mizoguchi in the US Treasury headquarters in Washington, stop for a moment and thank him.
其次，如果你在华盛顿的美国财政部撞见沟口先生，要停下脚步向他致谢。 tianyablog
This paper attempts to present some queries with regard to Mizoguchi Yuzo's two notions, namely “the space of village autonomy” and“provincial power”.
本文针对沟口雄三的“乡里空间”和“省力”两个概念提出了一些疑问。 zhongguosixiang
Yet this was paradoxically at a time when Mizoguchi's work was achieving unprecedented recognition abroad.
然而矛盾的是，这也发生在沟口健二的作品正于海外获得空前赏识的时期； ecocn
Mizoguchi's determination to appeal to the west is also apparent in the narrative mode of the late period films.
沟口健二吸引西方的决心在晚期时代剧的叙事结构中同样明显。 ecocn
Mizoguchi's late period films, with their tragic stories of delusion, suffering and injustice, were very well received in the west.
沟口健二关于幻念、苦难与不公等悲剧故事的晚期时代剧在西方受到了程度极高的接受。 ecocn |