| 释义 |
OzuCOCA⁹⁹²⁹²
基本例句
小豆¹⁰⁰
This screen persona became hers and, in any event, Ozu would not have created his character this way had it not been Setsuko Hara for whom he was writing.
屏幕上的形象已经为她所有，而且在任何情况下，如果不是在为原节子编写剧本的话，小津绝不会按此种方式创作其角色。 ecocn
Although other Ozu films were shown sporadically in Europe and the U. K. , it was Tokyo Story that broke the barrier.
尽管其他的小津电影早先已零星见于欧洲和英国的电影院，然而却是《东京物语》正式冲破了藩篱，让观众接受了这位日本导演。 mtime
Boy is also discreetly fixed in the context of Japan's recent history, in a way which again may be read as a response to Ozu.
《少年》也被谨慎地限定在日本近代历史的情境之中，这一做法又一次可被解读为是对小津的回应。 ecocn
In dialogue scenes Ozu refuses to cut away from a speaking character;
对话场景中小津拒绝在人物说话时进行剪辑； mtime
In Ozu's Good Morning, a family dispute is occasioned by the children's demand that their parents acquire a television.
在小津的《早安》中，家庭纠纷起于孩子们要求父母购买电视一事； ecocn
No matter that her words were written and her actions directed by Yasujiro Ozu.
尽管她的台词出自小津安二郎之手，而其动作也得遵从小津的指导，但这并不重要； ecocn
Thousand Years was very much influenced by a Japanese director called Yasujiro Ozu.
《千年善祷》很受日本导演小津安二郎的影响。 yeeyan
When Richie's Ozu was published, two years later, critics came to realize that this quiet filmmaker was one of cinema's finest artists.
两年后当 Richie的《小津》出版时，评论家们意识到这个“平静”的电影人其实是个杰出的电影艺术家。 mtime
Yet Ozu remained unknown abroad, chiefly because decision-makers considered him“ too Japanese” to be exported.
尽管当时小津在国外并不出名，其原因可归结为国内那些决策者嫌他的电影过于“日本化”的缘故。 mtime
Ozu himself hinted at a reservation: “ This is one of my most melodramatic pictures.”
小津自己给出了一个保留性的暗示：“这个是我最具有情节性的电影之一。” mtime
Ozu is an auteur in the traditional sense: one whose style and themes are reiterated with sublime consistency in film after film.
在传统意义上，小津是一位个人风格独特的导演：其风格和主题在一部又一部的影片中，以一种高度的一致性反复重现。 ecocn |