| 释义 |
Ar·bus 英ˈɑːbəs美ˈɑrbəsAHD\\adieʒrʹbəs COCA⁷⁸⁶⁶²BNC¹²⁶⁴¹⁶⁺⁴Economist¹⁶⁰²⁸
基本例句
阿尔比斯¹⁰⁰
Armed with interviews with her psychotherapist as well as autobiographical fragments, this new“psychobiography”, sheds light on Arbus's opaque personality.
凭借着对她的心理治疗师的访谈以及自动记录下的传记片段，这本新上市的“心理传记”将视线投向阿不思不透明的性格上。 topsage
DIANE ARBUS committed suicide40 years ago in 1971, but that only enhanced her dark mystique as a seminal figure in post- war American photography.
黛安•阿勃丝在40年前的1971年自杀身亡，然而这只是强化了她作为在后战争时期的美国摄影艺术中的开创性人物的黑暗神秘性。 ecocn
The Diane Arbus Estate, protected by her daughter Doon, makes it hard to reproduce her photographs the book like this article has none.
黛安•阿勃丝的财产被她的女儿杜恩保护，这使复制她的摄影作品变得艰难像本文所谈及的书就一张都没有。 ecocn
An Emergency in Slow Motion: The Inner Life of Diane Arbus. By William Todd Schultz.
《慢镜头中的紧急时刻：黛安•阿勃丝的内心生活》作者：威廉•托德•舒尔茨 ecocn
An exhibition of Diane Arbus's photographs will be held at the Jeu de Paume, Paris, from October18th to February5th2012, and then travel to Zurich, Berlin and Amsterdam.
一个黛安•阿勃丝的摄影展将从十月十八日至2012年二月五日在巴黎网球场美术馆举办，之后将会去苏黎世、柏林以及阿姆斯特丹巡展。 ecocn
Fascinated by their outsider lives, Arbus beguiled her sitters with infectious empathy.
阿勃丝着迷于那些局外人的生活，她利用易传染的移情作用欺骗她的模特。 ecocn
It was a dirty thing to do…“ Arbus explained in a lecture in 1970.”
做这个真是一件肮脏的事……”阿勃丝1970年在一个讲座上这样解释。 ecocn
Mr Schultz, whose previous subject was Truman Capote, makes a scholarly stab at penetrating Arbus's “ secrets”, hampered as he is by lack of material.
舒尔茨先生上一部书的主题有关杜鲁门•卡波特，他在洞析阿勃丝的“秘密”中做了一个学者式的直入，却被他材料的缺乏而困累。 ecocn
Arbus would visit the family at home: “ They were undeniably close, in a painful sort of way, ” she later wrote.
阿勃丝拜访过这一家人的家：“他们用一种有些痛苦的方式，难以否认地亲密无间，”她后来写道。 ecocn
Arbus also pursued more“ ordinary types” to add to her collection.
阿勃丝也追求过更多“普通的类型”以加入她的选藏。 ecocn
Arbus learned to mix the realistic nature of photography with its expressive possibilities.
阿布斯懂得将画面的真实特性与画面的表现潜力加以完美地组合。 unsv
Arbus started out in fashion photography in partnership with her husband, Allan Arbus, but by the mid-1950s she had rejected its artifice.
阿勃丝起初与她的丈夫艾伦•阿勃丝搭档拍摄时装摄影，但到五十年代中期她已经拒绝时装摄影的欺瞒诡计。 ecocn
Arbus's images were transgressive in both their form and content: harsh black and white shots of so-called freaks, outsiders and misfits.
阿勃丝的影像在形式与内容方面都超过正常尺度：包括所谓怪人、局外人、不适应环境者的强烈刺眼黑白照。 yeeyan |